The album also spawned two Top 40 hits – “Suite: Judy Blue Eyes” and “Marrakesh Express.”
6 on the Billboard album chart and had a 107-week stay on that chart.
In the U.S., Crosby, Stills & Nash peaked at No. Graham Nash, Stephen Stills, and David Crosby, on the cover of their 1969 album that would help advance the singer-songwriter genre of music through the 1970s. Their performance at Woodstock - then the largest gathering at a rock festival to that date - helped place them among the leading troubadours of the counterculture era. The boys also added to their rising standing by performing at the enormous Woodstock music festival in August 1969, where Neil Young joined the group (later becoming “Crosby, Stills, Nash & Young”). And with the help of progressive FM radio in those days, which served up generous portions of new albums over the air, Crosby, Stills & Nash became a wildly popular album. Before long, excepting a rejection at Apple Records, they were signed by Ahmet Ertegün at Atlantic Records, hiring David Geffen and Elliot Roberts as their management team. Legend has it, that at a July 1968 party in Laurel Canyon area of Los Angeles (at either Joni Mitchell or Cass Elliot’s house) Crosby, Stills and Nash tried out a new song written by Stills, “You Don’t Have To Cry,” revealing to themselves and others they had very good vocal chemistry and exceptional harmonies. Photograph of David Crosby, Graham Nash, and Stephen Stills at the Big Sur Folk Festival, California, September 1969.
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